Four Violins, a Tenor, a Violoncello: & a Thorough Bass for the Harpsicord. Line-cut of the Vienna, “Au magasin de musique”, edition.
Six préludes et fugues pour le clavecin ou piano-forte. Facsimile Edition with an Introduction by John Brock.
#Edward aldwell ludus tonalis manual#
Distilled into 6 sections (Absätze) this useful and practical manual instructs the user, “according to current convention”, on 1) clefs, 2) the notation of tempi, notes & pauses, 3) the execution of ornaments & “manieren”, 4) right & left hand fingerings 5) chordal fingering, 6) tonality. $18 įundament zum Orgel und Fliegelspielen. Douze fugues pour le clavecin ou l’orgue. Line-cut of the John Walsh edition, London, 1748. VIII Sonate for Harpsichord Opera Prima. Handsome binding with orange cloth boards, gold lettering and pasted illustration by Laura Albéniz (from the first edition of Iberia, Paris, 1906-7). This collection of 12 movements, a masterpiece of the piano repertoire composed in 19, evince the technical heights of the postromantic piano. Color facsimile of the working (and final) autograph copy now dispersed among four libraries. Edición facsímil de los manuscritos y estudio histórico-documental a cargo de Jacinto Torres. Line-cut of the composer’s edition, Stockholm, 1784. Sonata No 1 pour le clavecin ou piano forte avec l’accompagnement d’un violin. Rich with woodcut illustrations and examples in Gothic and German lute tablature. Musica instrumentalis was the second of its type (following Virdung’s Musica getuscht, 1511). Line-cut of 4 of Agricola’s most famous treatises written in German. Im Anhang: Musica instrumentalis deudsch (1529) Musica choralis deudsch (1533) Rudimenta musices (1539). Deals with chordal and single-line improvisation from a basso continuo and makes an important distinction between “fundamental” and “ornamental” instrumental classes. One of first treatises to adopt figured bass. $160 ĭel sonare sopra’l basso con tutti li stromenti e dell’uso loro nel conserto. Line-cut of the Pleyel edition, Paris 1810. Trois grandes sonates pour le forte-piano, op.8. Avec l’accompagnement d’un violon, or flute traverière, et d’un violoncelle. Einführung von Leonore und Günter von Zadow. Six Easy Sonattas für Viola da Gamba und Basso Continuo oder andere Instrumente, WKO 141-146. For ordering informationĭifferent viewing options-just click the instrument(s) you want : Of first editions & primary source materials, together with a selection Manuscript facsimiles (autographs & copyist manuscripts), facsimiles